The late-career writings of the once-acclaimed novelist Ken Kesey were scant and unimpressive, but I recently wondered if this only indicated that Kesey had lost interest in the book format, and if there might be more substance to Kesey's later collectivist theatrical experiments than is commonly thought. Mike Egan's new book Ken Kesey and Storytelling as Collaborative Ritual asks the same question, examining group works like the play Twister with a Jungian point of view and a fresh eye.
Throughout his career, Ken Kesey embraced an expanded idea of storytelling which went far beyond simple linear narrative (at which he undoubtedly excelled) to a more ancient (and timeless) form: the story as a ritualistic, interactive and constantly fluid performance. In an elegant 4,000-word essay, Mike Egan explores this key aspect of Kesey's life and art.
About the Author Mike Egan sometimes writes, and always lives, in the hinterlands of northern Maine.
Wickford, Rhode Island
